Above all, what stays of the outdated heroic legend is its shadow. When the six-part collection “The Nibelungen – Battle of the Kingdoms” begins at the streaming carrier RTL+ on Thursday (November 6), it’s going to now not be a retelling of a textbook tale, however a survey of delusion: quiet, darkish, human.
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Administrators Cyrill Boss and Philipp Stennert change into the Nibelungen, one of the most Germans’ favourite sagas, right into a visually robust medieval mystery about energy, love and betrayal. The movie used to be shot within the Czech Republic, within the fog, within the snow, below a sky that hardly is aware of gentle. The ambience is frosty, the faces are drained, and above all, the query arises as to what loyalty manner.
A global with out solar – however stuffed with brilliance
The point of interest is on Kriemhild (Lilja van der Zwag), daughter of the Burgundian king, whose existence in Worms is outlined by means of expectancies and limits. Then Siegfried von Xanten (Jannis Nievohner), a dragon slayer, a stranger, a reluctant hero, seems – and brings turmoil to the order of the empire.
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“You are a lost soul,” Kriemhild says at one level. “Then I fit in well here,” Siegfried replies. Amongst them: Hagen von Tronje, performed by means of Gijs Naber. He’s a warrior between accountability and keenness, between loyalty and betrayal. Nabers Hagen is much less a villain than a sad determine – a person who confuses loyalty with self-sacrifice. On this studying, betrayal isn’t an act of hatred, however of desperation.
The Heart Ages you’ll be able to nearly really feel
Rosalinde Munster performs the Valkyrie Brunnhilde as a proud warrior, Dominic Marcus Singer performs King Gunther as a determine who vacillates between energy and concern. Jorg Hartmann, of Dortmund “Tatort” reputation, embodies King Dancrat. They’re central figures in a internet of loyalty and pleasure.
The collection does now not utterly resign the blood and sword aesthetics of many historic fabrics. Above all, it presentations the Heart Ages that you’ll be able to nearly really feel: smoke, iron, snow. The song (Jacob Shea, Adam Lukas) echoes darkly, the photographs seem like photographs (digicam: Philip Peschlov). The flickering fireplace illuminates the faces; this can be a colorless, adverse surroundings.
A kingdom within the twilight
On occasion the existing turns out to polish: the refugees are meant to be some distance from the Burgundian Empire, and but they arrive in nice numbers. “The strongest weapon against fear is borders. They make sure that everything stays as it is,” the collection symbolically writes.
The collection used to be produced by means of Constantin Movie in cooperation with RTL+, in line with the radical “Hagen von Tronje” by means of Wolfgang Holbein. “The Nibelungen – The Battle of the Kingdoms” does now not depict a wonderful previous, however an international in ethical twilight. A legend that most likely derives its immortality from the truth that it may be retold over and over.
© dpa-infocom, dpa:251105-930-252631/1
