Rip-off Factories is a unique multimedia and podcast collection by way of The Dialog that explores the interior workings of Southeast Asia’s brutal rip-off compounds.
The Dialog’s virtual storytelling and podcast groups collaborated with 3 researchers: Ivan Franceschini, a lecturer in Chinese language Research on the College of Melbourne; Ling Li, a PhD candidate at Ca’ Foscari College of Venice; and Mark Bo, an impartial researcher.
The researchers have spent the previous few years interviewing just about 100 survivors of those compounds and documenting the upward thrust of the trade in Southeast Asia for a impending e book.
Rip-off Factories will spread throughout 3 multimedia articles and 3 podcast episodes this week. We’ll replace this web page as extra is revealed.
Section 1
Our first article explores how persons are lured into the trade and what existence is like within the compounds, the place scammers are pressured to paintings lengthy hours and are regularly subjected to violence.
And in our first podcast episode, No abilities required, our researchers commute to a village in Cambodia known as Chrey Thom to look what those compounds appear to be. And we listen from two survivors, a Ugandan guy we’re calling George and a Malaysian girl we’re calling Lee, about how they had been recruited into compounds in Laos and Myanmar.
The Dialog contacted the entire corporations discussed on this collection for a remark, excluding Jinshui, which we couldn’t touch. We didn’t obtain a reaction from any of them.
Credit
The podcast collection was once written and produced by way of Gemma Ware with manufacturing the aid of Katie Flood and Mend Mariwany. Sound design by way of Michelle Macklem. Leila Goldstein was once our manufacturer in Cambodia and Halima Athumani recorded for us in Uganda. Hui Lin helped us with Chinese language translation. Pictures by way of Roun Ry, KDA, Halima Athumani and Ivan Franceschini.
Justin Bergman at The Dialog in Australia edited the articles within the collection and Matt Garrow labored at the graphical parts of the tales. Sequence oversight and enhancing lend a hand from Ashlynne McGhee.
