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“Now the world reflects the theater” “The theater once reflected the world, and the world reflects the theater,” Carl Hegemann mentioned. © Matthias Horn
He most commonly talked to a nice smile that may also be heard when he was once at the telephone. As a result of this guy knew. Carl Hegemann appeared unmistakable within the internal, as though he had already sketched the whole lot that might occur and may just occur, as an opportunity within the nice thought of fight portray the place he painted in spirit.
And what Hegemann hadn’t imagined in his tireless creativeness, they introduced him to his adopts. As a result of he was once well-networked. If you happen to met him, he at all times proved to have now amused that now what has in spite of everything predicted (for instance, the newest shortening of the finances or failure of this or the one that is Berlin cultural senator).
One thing playful was once in the whole lot Carl Hegemann did and spoke. “Because finally suddenly leads it, a man just plays where the meaning of the word is completely and he is just a very person in which he plays.” Friedrich Schiller came upon that he was once no longer best signed by means of Carl Hegemann, he even satisfied him. He performed a playwright, theater guy, crafty in theater Foairs and Biopa Artwork Biota. He sought after the theater to be a “organic part of urban development”. In line with him: “If the city of Berlin is a theater city, there is no reason why architects are built here, in a monumental style or in a noble style. Then phase designers must also work in the city.”
On the identical time, Hegemann was once utterly transparent that the theater suffered the lack of relevance over time and many years: human voyeurism was once higher and less expensive on tv than with IBSEN. For this reason it was once necessary that the theater realizes as a singular, open state of affairs and level as a spot the place one thing else may just occur each night time – together with failure.
Цитат од Хегеманна: “Ако Петер Стеин додаје велику важност за чињеницу да се његове продукције стално понављају, а затим следи индустријски концепт производње који не одговара специфичној од позоришта. У случају да у једном случају, у случају нема, у случају у случају у једном случају, у случају у једном случају не може више да се у случају у случају нема.” The method is now not like oil or inflated cinema. ”
© Zeit On-line
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He by no means gave the impression of a recessed cinema for Hegemann Theater. Every now and then it was once nice, skillfully unknown, requested reluctantly, procedure, efficiency. And his central manufacturing and the Massa Location was once Berlin Volksbuhni on Rosa-Luxembourg-Platz-house left in 1992, as director of 1992. yr, with a forecast that Volksbuhne will quickly be “famous or dead world”. She was global well-known and infrequently seemed lifeless (or in reality lifeless), and Hegemann was once, with interruptions, Castorf’s dramaturg to his accidental farewell in 2017 years.
With Castorfom, Hegemann as soon as instructed us, “We develop our things independently of each other and I write an article about the new instance that we still do not talk about that we still don’t talk about it.”
He mentioned it was once a bit of complacent at the back of the surroundings: in this system, Castomorf may just learn what was once his new Law – then the pioneering textual content him, Carl Hegemann.
He noticed the distinction of Volksbuhn with skepticism, however with skepticism, by which one thing triumphet was once struggling. For instance, if you’re at all times at a visitor excursion in all nations for vows. However, in fact they don’t seem to be wonderful right here. ” He felt his house as a place where new. And if it is new “via”, they will continue to discuss “committees”, ie in any respect different theaters and is imitated.
