It’s best to move directly to the lawn. The place this stainless-steel dice stands, reflecting the fall timber throughout, the pond within the gallery, the chairs and likewise the gorgeous garden. The dice stands there like a blip within the ambitiously undulating Swiss panorama, as though desperately looking to make itself invisible.
There is a door on one aspect, it’s a must to put your head right down to get via, pressured bow. Then again, it is just becoming: right here – because the identify of Yayoi Kusama’s set up suggests – you in spite of everything input the guts. An artist’s middle or, even higher, your individual, because the case could also be, and in the course of the chamber you straight away really feel like a resident of a Rubik’s dice, surrounded by means of colourful dots which might be misplaced in unending reflections. A couple of sq. meters of cosmic abandonment and metaphysical trustworthy silence. (Do not pass over this selfie alternative, by means of the best way.)
