The director of Edgar Reitz awarded an honorary award for his lifestyles on the German Movie Competition in Ludwigshafen. The 92-year-old has authorised the honour of the Gala demonstrations of its new movie Leibniz Chronicle, lacks the picture lacking, a spokesman stated. The Competition Michael Kotz was once held through the Competition.
Along with the prize, the competition praised the introduction of an artist, born in Morbach (Hunsruck) for greater than 50 years.
Reitz started his cinematographic paintings within the mid-Nineteen Fifties and was once co-signatory from Oberhausen Manifesto, who demanded a “new German film”. His personal movie meal is identified in 1967. years in Venice as the most efficient first task. A large number of different awards have been adopted, together with German movie costs, Grimme costs and different famend prizes.
Reitz changed into well-known together with his house cycle, which was once advanced for many years – a world chronicle of German day by day historical past. The primary season was once launched in 1984. years and was once in a position to reasonable ten million TV spectators. After that, some other Area adopted (1992), Heimat 3 (2004) and some other house (2013). He additionally set cinematographic accents in outdated age – in recent years together with his documentary movie clock_23, who celebrated his premiere in Berlinale 2024. years.
The German Movie Competition takes position at the island in Rhine in Ludwigshafen and lasts as much as 7. September. It is composed of a number of tents and out of doors cinemas. In keeping with the organizers, greater than 120,000 folks got here final 12 months. Ludvigshafen remains to be a German movie competition with the most powerful guests of Berlin, stated.
Edgar Reitz
Extra about this matter
Z + (precision content material); “Filmstunde_23”: Discover your personal self (content material matter to registration); Edgar Reitz: “The home is nothing that can be owned and captured” Z + (sacrificed content material); Corona disaster: Why do we’d like a film
